I've been having fun with both the small format of ACEOs (art cards), and also the watercolor techniques. Since most of my paintings are usually done with acrylics on glass, having the white paper as a start and then having the paints absorb into it are new for me. It takes a lot of getting used to. The biggest thing is getting used to working from back to front
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So, I've wanted to play more with the watercolors, so I thought that would be a good way to start - little ACEOs Enjoy The Full Story...
While we were at the National Space Symposium, a next door exhibitor asked if we could put together some small awards for students. The catch was he didn't have much time. I came back to the studio and looked around for something that I had already in stock that would do well as awards, but I only had two or three of each appropriate thingie, and he needed 5
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We recently had a booth set up at the National Space Symposium. We are usually the only artists that have a booth - the anomaly. We do a lot of work for the Space Foundation, which runs the symposium, including moving the large sculpture that goes on display for this symposium, so we have an exhibit in the hall during the week while we're taking care of their big
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I wanted to experiment with my sandblasting and deep carving on glass. My cast glass pieces are usually in the 3/8-1/2 inch thick range, with the colors swirling through the entire depth of the piece. This would make for some great carving, as some of the colors would be opened up, while others would remain untouched.
Since I was getting ready for a space conference, I decided to
Enjoy The Full Story...I have never been a fast painter. I see friends who bang out piece after piece during a day. Why can't I get the hang of trusting what I feel and slapping it down? Instead, I tend to linger, plot out the strokes, the colors. In the end, I often end up ruining a perfectly good painting by overworking it. Being a good artist is also knowing when to
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Previous posts have focused on the rocket that is the center column for our orrery. The one pictured here doesn't have the bottom section with the fins, but our new one does. Now that the rocket has been carved and the holes bored into it to accept the drive tubes, it can be put aside for a bit and we move on to the next section - The
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I'm a professional artist, working mainly in glass for the space industry. My partner and I create some of the most incredible glass sculptures having to do with rockets, planets, galaxies... It's an extremely fun career!
All Handmade in the USA
Handmade in the USA